QUIET FIREWORKS - 2
JOHN DAY
On the way to John Day, we heard two different versions of
the Miner’s Prayer – with it’s images of mines and fires the song is perfect
for a town that essentially grew as fires forced migration from the nearby
mining boomtown of Canyon City.
Like all of eastern Oregon there seems to be fire just behind the
surface of things, as if the landscape were printed on paper that could suddenly
darken, char, then ripple and split with flames. And it’s fire oddly enough that keeps the town here. Firefighting is the predominate
occupation here. On Saturday The Grub Steak Saloon is full
of men drinking, playing poker, and talking about the coming fire season the
way farmers talk the growing season of crops. The place, from its beginning has
existed in a precarious balance between the dollar and elemental danger. It
makes sense that the queen of a town built on taking risks (and often loosing)
should be Nan, enthroned at the poker table. Red lips, red nails, a sharp eye and a
sharper tooth behind a wide and genuine smile. The slap of her cards and the
occasional slap of hand away from
her ass punctuate the slurred talk and the muddy juke box. Her eyes are bright
and friendly but her eye make-up has a broken glamour, as if the perfect,
dark lines she applied earlier can’t quite contain the amount of stories she sees unfold in an
evening. Around her table beer and whiskey irrigate the tinderbox night.